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Anime Jason 
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HH

Subj: Only this one.
Posted: Tue Jan 10, 2017 at 11:07:05 am EST (Viewed 555 times)
Reply Subj: For a given value of 'here'.
Posted: Tue Jan 10, 2017 at 07:34:24 am EST (Viewed 3 times)




    Quote:
    Are we talking fiction or reality here? In reality the most modern definitions of insanity do ascribe some reasonably objective paraeters for diagnosis. In fiction, where people are neccessarily reduced to narrative traits, the real difference is based on authorial choices. But even fiction or biographical stories about or by real people with real mental illness struggle to leap the gap between what can be represented in prose and the many shades of actual life.


I would have to say fiction, if only because mental illness in reality is much less entertaining to watch, because it's sad. The simple reason why, as far as I can tell, is in fiction madness can make up the entire personality of someone. In reality, it's only a small part, and shatters the rest of their personality tragically.



    Quote:
    If there is one difference between Victorian and modern literature it has been the rise of psychoanalysis, the public awareness of Freud and Jung in particular. Readers now are far more likely to make diagnoses of characters in light of (outdated) understandings of those actors' psychologies, expecting the character to "make sense" based on such analyses - which is off because we never get that level of clarity with real people.


That's true - the lack of psychoanalysis meant that anyone with disorders that kept them from conforming to social norms were considered "mad" and pushed away until they became reclusive.

The whole stereotype of a "mad scientist" was someone who consciously decided to concentrate on their own ideas and inventions, and shun social interaction. After a little while of that we get someone who behaves much like a modern reclusive gamer who lives in the basement - quick to temper, unable to speak normally to people, overexcited about favorite topics, etc.

Now that we know what that really is, "madness" instead has become something beyond human understanding, like we see in horror movies. An antagonist who embraces not his or her own obsession, but something beyond the reach of normal understanding.

And that still fits the profile of the Hooded Hood, because he embraces the spirits of Herringcarp, and an entire decision tree of the Parodyverse, both of which are beyond normal mortals' understanding.



    Quote:
    This is one reason why a great bulk of modern protagonists had abusive fathers, childhood traumas, wrecked former relationships, terrible PTSD baggage etc., while there was no expectation that Sherlock Holmes or Jonathan Harker, Alan Quartermain or Hawkeye of the Mohicans needed them. They wee born in an era where, when horror struck, the characters were just expected to suck it up and get on with the job.


I can't prove it, but I believe Asian (Japanese, Chinese, Korean) stories making it into mainstream U.S. entertainment had a huge influence on that.

In an American movie two decades ago, before that stuff started to insert itself into mainstream, there was a few minutes' exposition to explain why the bad guy is the way he is - except it would be along the lines of "he worked for MI6, was fired for being too extreme". That works great with an English-speaking audience who believes in black and white good and evil.

But Asian audiences have been told stories since the beginning of time where there are shades of grey; where the bad guy wins, and the important thing was the good people's fruitless struggle and sacrifice; or even more confusing, when you think someone is the bad guy, and it turns out they were right all along.

Those twists made it into American mainstream; where you can't really tell who the bad or good guy is anymore; where the good guy is flawed, and the bad guy has some good in them, or good intentions. And to understand all of that fully, you need to know what shaped those characters. So we have flashbacks or historical information that wasn't there before.

Before, oh, 2000 or so, nobody cared where James Bond came from or who he is, just that he's tough and has a license to kill; and the bad guy was simply someone who wanted to destroy or take over the world. Now the "bad guy" is someone trying to right the wrongs of a corrupt MI6, and shows Bond that he's been killing people he shouldn't. Bond still has to kill him because he's solving the problem by killing more people, but then he has to take on the corrupt organization he works for to redeem himself. In the end, nobody is really good or evil, it's Bond rising above his own failings for justice. And that comes directly from Japanese anime.

(there's an actual segue here, I swear...)



    Quote:
    The Hood does not believe himself to be selfish, even though he defines himself as an archvillain. He genuinely believes that everything he does is ultimately for the best. He is clearly the right choice to correct the Parodyverse, and myst therefore be in a position to do so. He is clearly the one who must bring its tormenting Creators to justice and so gain vengeance for all the tortrued characters who have suffered there. Who else could manage it? It has to be him.


Lara believes the selfish part is he's willing to sacrifice everyone in the Parodyverse for the success of his plans. She would like to change his focus, to convince him that if he wins, and he does get to meet the Creators - destroying everything in the process makes it pointlessly destructive. That if he wants to focus on thwarting them, there are better ways to do it.



    Quote:
    The good news is, Chiaki's visions are back in UT#360. The bad news is, in all of them nearly everybody dies within 48 hours in one of millions of very horrible ways.


She's going to need those mints again.



    Quote:
    That's close to the textbook definition of Asperger's syndrome, one flavour of autism, which tends to manifest in intelligent people who have difficulty with the connect between their interior perceptions and needs and the external world.


It would appear to be that. Aspergers is the inability to describe thoughts, or the believe that your own thoughts are too strange for anyone to understand. In Faite's case, it's not her own thoughts, it's something external that can't sufficiently be described using human language. She'll try by using simple comparisons, but finding a good one is a struggle. That's why she'll often resort to just showing someone instead.



    Quote:
    For example, he went to a good deal of effort to make sure that, whatever futures occur in the centuries ahead from present, they have coalesced into a stable spacefaring human society by the time that the Lovely Zemo Triplets are born. They are neccessary to birth Goldeneyed, Exile, and Suicide Blonde, all three of whom he brought back to the contemporary Parodyverse eventally to play important roles in his plots. He is aware that there are still dozens of routes by which the particulat point in the future he needed might arrive but any of theim might serve.


That might someday lead to Lara Night asking him directly if he was involved with her stumbling her way into the Parodyverse, and ask him point blank why he did it. It's much more efficient than speculating.



    Quote:
    I suspect the Hood knows that Chiaki's responses would be deceptive, which is why he had not sought them. He is content for now to let her share more honest predictions with the heroes he needs to unknowingly undertake certain tasks for him.


Then again, Chiaki does like to mess with people like the Hooded Hood, so she might just mix in a vision or two that are completely accurate, just so he doesn't know which is which.



    Quote:
    1. She is excellent poisoned bait for some of his enemies, notably the Void Scholar, the Void Spectre, and the Parody Master. She has been an important element in chains of events that have led to these enemies' destruction - and the Hood has nudged her into those events.


Eventually she's going to begin to take issue with that.



    Quote:
    2. Her life has been tangled by a number of serious manipulators, some of whom the Hood is interested in understanding. Watching what Xander, Faite, and some baddies do with Liu Xi helps him discern their wider intentions and characters.


That's another point where Lara would be annoyed with that kind of selfish behavior. She would point out that he could just ask. Especially since Faite is usually honest.



    Quote:
    3. Her ability to traverse the Parodyverse is useful to him, especially because Liu Xi is sometimes impetuous in where she opens void portals. Most recently she managed to get to the Celestian Plane and bring Knifey there, allowing the Hood to follow in there and access an area he had been seeking to infiltrate since at least UT#80.


And here's where the taking issue comes on - because Liu Xi knows there are others who can do the same thing, especially Faite and Lara Night. Liu Xi might conclude then that she's being picked on because she's easier to push around - because Lara is fiercely independent and notably uncooperative, and Faite is almost purposely unreliable.







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